![]() Bazan asks a wheelbarrow of questions taking listeners along, U-Haul strapped behind. The finale, “Leaving the Valley”, is instantly somber, despite the rock band elements. Flirting with a quasi-dronescape, “All Seeing Eye” washes Phoenix in sepia tones, highlighting a photo album with grainy images. With the backing band locked in, Bazan’s authentic, captivating anthem is rife with powerful Biblical lead-ins and raw emotion. The uproarious, bullet train hustle on “My Phoenix” encapsulates Bazan’s power and lyrical gifts. Bazan sings “I never dreamed that I would find another way home…someone is calling me…someone is following…someone is finally listening.” “Tracing the Grid” spills into glimpses and meditative sustains. “Quietest Friend” soars with Bazan’s self-awareness and self-knowledge. The apparently inward realization Bazan sings, “half a mile ascribed my yellow bike, all the candy and soda pop I like”, reaches metaphorically outward.īazan’s youth-filled reflections paste a chronology where he’s no longer feeling sorry for himself. “Circle K” uncovers a skateboard wanting Bazan and an allowance spent on sugary gratifications. “Piano Bench” revisits the electrical pulse introduced on “Sunrise”, and takes a step further into Bazan’s Sunday reflections as a disguised hymn. Even in his agnostic state, Bazan intends to match the fruit he speaks of throughout Phoenix. He sings, “but you can always smell which fruit, you really want to bite into”, scratching a Biblical itch concerning the fruits of the spirit. “Powerful Taboo” harnesses lift and bounce before settling in for Bazan’s prophetic insight. More than a toy and early thrill, Bazan’s oldest desire for human connection cascade forward as he sings “a kingdom for someone to ride with”. Holding hands with the opening strums of “Yellow Bike”, listeners are greeted by Bazan’s concrete images and a vehicle for transport. The brief opener, “Sunrise”, shines electronic sunbeams, signaling a change. The old shines like a new discovery and the mythical power of resurrecting flares full regalia. Phoenix, the resulting album, finds Bazan no longer looking over his shoulder he’s more interested in the mirror-reflected convictions and vulnerability emoting from tracing his childhood streets. They will also be fully integrated into the lore! We’ll be using the extra money to pay for an additional artist to create their assets, so their creation won’t delay development at all.After 15 years of solo records that chased feelings of blame, grief, and missed connections, living room tours, and monthly 7” records to connect to his fan base, David Bazan has awakened the Pedro the Lion moniker following an unplanned stay at his grandparents’ home. If we manage to hit $500,000 in pre-orders, this race will be added to the base game and will be playable upon release. In particular, an Avian diplomat reportedly described a Novakid he met as “dense”, and elaborated upon his statement by mentioning that the Novakid in question had cheerily asked him if his god, Kluex, was real. Since the Novakids have a short memory (and attention span), diplomatic relations can be strained at times because of their completely different composition to other lifeforms, Novakids are sometimes unable to grasp the nuances of interracial social interactions, and have thus attained a slightly dubious reputation amongst other races. Charged with huge amounts of energy, these pieces of metal generate the hard plasma “shells” which stop their constituent gases from leaking – if a Novakid is depleted of his or her vital gases, the energy contained within their brand is instantly vented into the very fabric of spacetime, leaving only a twisted metal symbol and a nearly undetectable warping of light around the area of death. The force that drives the Novakids is contained within the brand on their faces. Though they are (generally) more intelligent and intuitive than the “fleshy” races, their attention spans are lacking – this does not make them any less effective in combat, but has the effect of restricting their technology research (and any groundbreaking research is forgotten within a few generations). These creatures, described by a human astronomer as “interstellar gas-bag people”, have no known single origin point: that information is long lost, as the Novakids have little to no desire to record their history, or even pass it on to their offspring. Forged aeons ago in the fusion furnaces of a now-dead star, the Novakids are a perfect example of nature’s emergent beauty.
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